10/4/2023 0 Comments Silo tv recomendadas![]() In many ways, we are as lost and confused as the characters. Guided by the brilliant Graham Yost (“Justified,” “The Americans”) and directed by Morten Tyldum (“ The Imitation Game”) to start, “Silo” is a remarkably confident show that refuses to hold your hand. Can she trust the judicial sector run by an imposing figure named Sims (Common)? What about the creepy tech overseer ( Tim Robbins) who punishes people for posting the wrong information online? Juliette gets involved with the lawman when he investigates a mysterious suicide, and she eventually takes over the lead before even weirder things happen in the silo. Juliette works on the mechanical floors at the bottom of the Silo, the ones that keep everything running-the writers smartly avoid a direct class system on the floors but there’s a different energy in her sphere. Into this unique set-up, “Silo” drops many other interesting characters before centering on Juliette ( Rebecca Ferguson), a different protagonist than that of the premiere. Anyone who asks to leave must be allowed to do so, and no one has ever returned. And there’s one immutable rule: Don’t ask to leave. ![]() She’s scared to share these beliefs with her husband, who happens to be the Sheriff ( David Oyelowo), because the Silo is a place where dissent and disagreement can be punished. Or can they? Allison ( Rashida Jones) starts to hear whispers that the powers that be in the Silo are lying to its residents to keep them under control. All they know is that it’s deadly outside. History has been destroyed to such a degree that the residents aren’t sure how they got there or what happened to the outside world. The premiere introduces the concept-just over 10,000 people live in a massive underground bunker known as the Silo. ![]() It's also an incredibly difficult show to write about without spoiling, so I’ll be as vague as possible. “Silo” trusts its viewers with complex themes, multiple arcs, and a shifting narrative that forces us to trust the creators too. The stunning premiere-one of my favorite first episodes in a long time-sets the stage in a way that doesn’t even center on the eventual protagonist of this show. One of the many things I love about this show is that it embraces episodic structure-a lost art in the era of “my season is more like a chopped-up movie”-and these episodes play out like chapters in a book. Based on the Wool series of books by Hugh Howey (interviewed here by our own Nell Minow), “Silo” has echoes of projects like “ Blade Runner,” “The Expanse,” and even “ The Platform,” but it also has its own confident voice, a complex storytelling tone more reminiscent of literature than traditional streaming dramas. Apple TV+ has taken expensive stabs at sci-fi greatness before but they’ve never hit their target quite as successfully as they do in the excellent “ Silo,” premiering with two episodes today before dropping one at a time through the next eight weeks.
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